CREATIVE FICTION

​​Children’s Stories and Poems

Angela Sees the World

A Strange Delivery

The Nizzaard Old Wumbus

Little Chicky Wants a Pet

Surprises for Emily (YouTube reading available)

Stories from the Understory:

Molly’s Unsettling Discovery. Book 1

Different Coats. Book 2

The invasion. (Working title) Book 3 In progress

Passage Island. Books 1 and 2

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Adult Fiction

Encounter

Quiver

Anita The Cat

Ms Hatty Fowl

A sip of Amontillado

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Speculative Fiction

Gaslight in the Stars.  (Young Adult. In progress.)

The Feel of a Warm Summer Breeze

 

Songs 

Regermination Song Cycle (Performed in 2022)

Grand Ridge

Jitter Cry

Silver Shrike

Aquilla Audax

Starry Night (co-written by composer, Alisha Redmond)

 

It’s Over (World premiere performance in 2021)

All the World

Fickle Things

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Poems

When (Short listed for publication for Hammond House International Annual Literary prize, 2022. Published February 2023)

OH! (Short listed for publication for Hammond House International Annual Literary prize, 2022. Published February 2023)

Displaced (Short listed for publication for Hammond House International Annual Literary prize, 2022. Published February 2023)

Communing (Published in Gemszine, May 2022)

Love Lost to Paradise – Adonis and Venus

Last Walk Alone (Utilised in the play Little Absences, Chapel Off Chapel, 2026)

Heading Toward Esperance

The Barn Owl

One Last Solitary Tear

Your Snoring is Boring

Mining of the Innocents

Passing Time (Published in F*EMS Zine, issue 18, December, 2020)

Spin

That Changing Light (Published in Gemszine, August 2021. Utilised in the play Little Absences)

Oh!

When (Utliised in the play Little Absences, Chapel Off Chapel, 2026)

 

Theatrical Play

Why Can’t Women Be Like Men? (Performed at The Loft at Chapel Off Chapel, September, 2024. Restaged MC Showroom, November, 2025).

Reviews:

• 'A confident debut for playwright Grazia Marin and a testament to the power of stories rooted in lived experience.' (On The House)

• 'Why Can’t Women Be Like Men? airs their truth and with it comes drama, humour and pathos.' (I Tell You What I Think)

Waiting for Ice Cream. (Monologue. Performed at University of Melbourne Union Theatre, 2024)

Little Absences (Chapel Off Chapel, March, 2026)

Reviews:

• '(The play is) so uncomfortably, piercingly real... (it) becomes more than just a performance; it is a vital platform for the immense talent of older women artists who remain underrepresented on our stages...Powerful, grounded performances across the board that find the humour in the heartbreak.' ★★★★ (On The House)

• 'If a theatre piece should function as a catalyst to transform one’s perspective on the world, Little Absences is the one' (Taka Takiguchi)​